The Language of Light, Shadow, and Form
Each photograph in this series stages a subtle dialogue between light and dark, presence and obscurity.
Subliminal Penumbra
The shadow exists as both trace and abstraction, a ghost tethered to its sculptural progenitor but speaking a language of its own.
Still Life with Partitions
It is within this shifting dynamic between the object and its shadows that the true drama of the photograph unfolds.
The Language of Light, Shadow, and Forms
It is only through processes of revelation—both visual and conceptual—that the intricate complexity of these forms becomes perceptible
Still Life with Reverse Perspective Table
It is as if the image dreams of a deeper self—something just beyond recognition, yet intimately near.
Arabesque: Shadows of Light
Here, the shadow is not a trace, but the subject itself: mythic, suggestive, and fully alive in its ambiguity
The Paradox of Opposites
A new kind of mythology–they craft a world in which the unseen is not only visible but sublime, and where ambiguity is not a failure of form but its most potent expression.
Mapping the Unconscious Mind
This is where its philosophical depth lies. The photograph is no longer the endpoint of visual inquiry, but its beginning.
Phantom Shadows
The photograph, like the shadow, becomes both a truth and a lie, revealing what we know and what we cannot know.
